Fluidity covers all ground, circular motions create an organic dynamic between four concrete edges, softening and expanding. The forms are starting to create an existence and the imitation of something known occurs within the action, transformation. Closer the view gets - a reminiscence of a cell dividing and reproducing; then the object starts to shrink with a glimpse of a distance - the smaller it gets, the universe expands. Unusual forms metamorphose into bodily substances, dissolves into each other then frees itselves apart from each other. Solidarity ends and interaction begins. An opportunity for a conversation is now rising within and without these four concrete borders. These mutated, human-like creatures are telling us a story, creating their own narratives through experiences that seem quite familiar, a known reality from an abstracted view.

Even though the characters that are portrayed seem to be referring to humans, they are deformed, broken apart, altered, mutated, metamorphosed and positioned in despair from carrying all the pain caused by survival. Then we look at their appearances to see the conflict risen by the dependence to the other, not being able to hide the heaviness of the situation, lacking the only emotion that we humans are so pressured by the society to feel at all times; so proud of their shamelessness, they appear as unusual, disturbing  though somehow as natural as a heartbeat. These boneless, fluid silhouettes who are always situated in an action or some sort of transformation are forcing us to face the crises we create and live in, mirroring our tragic reality through their own struggles by drowning in tears of emotions. An absurdity hidden in phallic spaces and grotesque bodies lost within their own existential crisis..